"Sijui nifanye kituko gani leo kutafuta umaarufu??? Ohhh! yes nimekumbuka hapa ni kuvua nguo na kujidai uchizi umeniiingia!!!
ohh!! No NO! nataka kurudiana na justine so once akisikia nimechizia si atalala mbele? anyway ngoja nikauke.....!

Huwa anaaibu kiasi pindi anapokutana na watu wengi! lakini simu yake yenye gharama kubwa huwa najitahidi kuionyesha ili watu wamuige, si unajua za kistaa??

Brit huwa ni mwenye furaha pindi awapo na mwanaume karibu!

Britney Spears Talks About Her Troubled Past For The First Time In New MTV Documentary

The 90-minute film, tentatively titled "For the Record," sees the 26-year-old star discuss her public meltdown ahead of the release of her new album Circus.

Britney said: "So much has gone on over the last couple of years and there's a lot that people don't know about me that I want them to know."

"I wanted to make this film because I started to feel like I wasn't being seen in the light that I wanted to be seen in. This is an opportunity to set the record straight and talk about what I've been through and where I'm headed."

In a clip from the documentary, set to air on MTV in America at 10 p.m. on November 30 - two days before the release of Circus - Britney is seen pondering her past.

She says: "I sit there and I'll look back and I'm like, 'I'm a smart person. What the hell was I thinking?' I've been through a lot in the past two or three years, and there's a lot that people don't know."

"Sometimes I think I get kind of lonely because you don't open the gate up that much, you know I mean? You're guarded. You have to be that way, so I'm kind of stuck in this place and it's like, 'How do you deal?' And you just cope, and that's what I do. I just cope with it, every day."

This is not the first time Britney has appeared in a documentary.

She also starred in "Britney and Kevin: Chaotic" alongside ex-husband Kevin Federline in 2005.


Chriss; Zuga hunijui si unajua tupo mlimani City? wanga kibao hapa!
Rihanna; Dear acha mbwembwe, Neyo nilimpata hapa hapa angalia na wewe nisikuache kwenye mataa bure

Rihana; dear tunaenda Kigamboni?
Chriss; He mamaaa! tunazunguka hapa hapa coco beach, Kigamboni yupo Jordin sparks na anawivu kinyama, achelewi kutuimbia no Air

Nini tena? papa au... pozi za kuogopa camera ya

Mambo niaje? hope uko poa sana mwanablog wangu! Hapa ninakupa nyepesi nyepesi zinazomuhusu mwanakaka Huyu mashuhuri jijini Uingereza!
Kamera zangu hazina ajizi kwani nimefanikiwa kupata baadhi ya picha za Chriss Brown akiwa na mwanadada Rihana ambao wamekuwa katika uhusiano kwa muda mrefu lakini nafikiri hawajaamua kuweka mambo wazi! unawaona hapo juu watoto wakienjoy life!
Kistaa staa

moja kati ya vitu vilivyomuuzi Chriss brown ni hiki hapa chini. Dogo anajianadaa kutoa single yake mara ghafla inasikika mitaani, mbaya zaidi dogo aliamua kumshirikisha Rihana, so it means it was the biggest hit in Town! pole sana Chriss

Chris Brown Mad at Leak of Unfinished Rihanna-Duet
August 15 2008

Chris Brown is upset over online leak of his demo track titled “Electric Guitar”, which is taken from his next-year released album, tentatively-titled “Graffiti”. The song in which he has teamed up with Dr. Dre, is believed to become a duet for him and his rumored girlfriend Rihanna. He didn’t want fans to hear the tune before Rihanna adds her voice. “I’m mad that it’s leaked,” he told The Associated Press in a recent interview. “The record’s not finished. It’s supposed to be me and Rihanna’s duet.”

Beside Rihanna, other stars who are said to be featured in the album, include Ciara, Lil Wayne, and Akon. He has also just signed T-Pain for a single called “Freeze”, which has been confirmed to also be listed in T-Pain’s forthcoming LP “Thr33 Ringz”.

“Dreamer”, the single that becomes one of the songs featured on AT&T Team U.S.A. soundtrack reportedly will also be included in “Graffiti”. The song was released on August 7 via U.S. iTunes and so far has reached number three on iTunes Top 10 chart.



Today am going to talk with Models!
Do You know wat it takes to became a photogenic Model?
Let me tell you........
OK, if you are going to be a professional model and work in front of a camera, what goes on when you are working? Here is a photographer's perspective on how a model should handle a photo shoot. This is still leading to what you should know to be a photo model, but maybe seeing the end result will help the training process. I must apologize if I sound a little gruff on this but a photographer can get a bit demanding on the job. Also, keep in mind if a photographer has hired you for a shoot and things go wrong, it is the photographer who is held responsible, not you. The photographer has to make sure everything goes right. It sounds a little dramatic, but if you heed these points now it makes everything more fun later. Again, when you're a famous super model you can forget all about this and let every one wait on you hand and foot.

The first rule is to make the photographer's life easy. The reason you are being hired as a professional model and we are not pulling someone off the street is that you are going to do things that will allow the shoot to go quickly, easily, and more successfully. I can take anyone off the street and make him or her look good (that is what glamour portraiture is all about) but a model who knows what she or he is doing will allow me to get the job done in less time and with a lot less hassle. That's why we pay you the big bucks.

Before the Shoot

Get a good night's sleep and stay healthy. If you are tired it will show both on your face and in your attitude. Please do not party the night before a shoot. The photographer, ad agency, and client will have invested a lot of time and money in a shoot and will depend on you to arrive ready to do the job. It is part of being a professional. In Milan or New York they may put up with partied out super models but in a secondary market, if you arrive for a shoot only half-there, you will not be there again.

Get your items ready and packed up. Unlike the big fashion scene you may need to provide items of wardrobe and props for a shoot. This should all be discussed and worked out before the shoot. If you have talked about bringing certain items please be sure they are packed and ready to go the night before. This avoids last minute running around and forgetting. Reliability again is part of being a professional.

You may need to put on a base make-up before leaving for a shoot. In a secondary market you may need to do your own make-up as there usually isn't a budget for a make-up artist or there isn't one available. By taking care of your contouring and base items before the shoot it helps speed matters along. This is not meant to cheat you out of billing time at the studio, I would expect to pay more per hour for someone who can do their own make-up and who comes prepared.

You may need to have no make-up on at all before you arrive for a shoot. Confusing isn't it? There may be times when the make-up has to be done at the shoot and not having any make-up on speeds the process. This is why a photographer appreciates a model he can communicate with so that all these things can be worked out ahead of time.
At the Shoot

Arrive on time. Studio time is often based on an hourly fee. If time is being wasted waiting for a model to arrive it either costs the photographer in time that can't be billed or it costs the client in time they are paying for nothing. In either case you just made the photographer's life less easy and you may not be asked back.

After your arrival and pleasantries are done, you will review with the photographer how to proceed with the shoot. (The game plan, or the 'plan your work then work your plan' bit.) Next it is off to finish your make-up and change clothes. This part may vary a lot depending on budget and purpose of the shoot. You may be left to schlep in your own make-up case and wardrobe and get prepared in some corner of the studio or you could be whisked away by a make-up artist and hair stylist while the caterer brings you delicacies. In the meantime the photographer will be making last minute lighting and set adjustments, schmoozing the art director, making sure the client is happy, trying to find out why something that was promised hasn't arrived yet, rechecking the cameras, directing the photo assistant, checking on how things are going with the model, and, oh yeah, trying to have fun. Now you see why rule number one is 'make life easy for the photographer'.

Ok, now it's show time! You are ready to get in front of the camera. Communication is very important at this point. You need to follow the verbal instructions
of the photographer and give feed back. As a model and a photographer work together more, this give and take becomes easier, but the first time out it can take a while to develop a rapport. Also, it is important to establish a touch-or-don't-touch understanding up front. When working with large format cameras the posing can be very slow and precise. It may be quicker and easier for me to physically move you and your arms, head and legs where I want them. If you are uncomfortable with that or other posing issues, please state it up front. This is one time it is better not to make the photographer's life easier if it is going to make your life miserable. All of this should get worked out and become part of the professional working relationship.

Another challenging part of the photo shoot process is trying to stay relaxed and comfortable. I may be telling you where your main light is, where your posing spot is, the expression I want, having your arms and legs going in different directions while you're trying to hold the product so you don't cover the label, while a crowd of folks look on, and through this all you have to stay relaxed so the tension doesn't show on your face. If only it was all rock music playing and dancing around in front of the camera like they show on TV. In secondary markets it is a lot of product, illustrative, and catalog. But in spite of it all this you can still get a lot of excitement and electricity going.

I still find it strange, how this electricity and excitement can build between a photographer and a model. And it is even stranger when it suddenly stops during a shoot. Its like a switch is turned off or you run out of gas. One minute everything is really happening and you are doing great work and the next minute, for no reason, the energy drops. I used to try to work through that energy drop and keep going but it just doesn't work. If it happens in the middle of a shoot, it means, "It's break time". Time to recharge, brake for lunch, socialize, change sets, change wardrobe, or something. This part is always hard to explain to a client though sometimes they can feel it as well. If it happens close to the end of a shoot you may as well just call it a day. You hope you have all of the primary shooting done and you are just working on the extras so it is a good time to wrap up.

After the shoot

When the shoot is over it is time to clean up, pack up and go. When you're starting out you may want to stay and ask questions about modeling or if there is more work, or where else you can find work. A little of this is fine, but remember time is money and the photographer may need to move on to another project, so don't stay too long and wear out your welcome. Also, don't be too quick to dash off. The photographer may indeed have another project coming up, but does not want to talk about it until the client and art director have left. More confusion! Also, try not to leave things behind again part of being professional is being organized.

Lastly, the inevitable question, when will the pictures be ready? You know you want to see them. Try to work out a time when you might be able to return to look at them. What is excellent, is when you are starting out and the photographer can take time to review the photographs with you and not just leave something at the front counter. A critique of what the photographer saw and how you might do better can be a real ego bruiser, but can also help you learn and improve.

Post Shoot Stress

Some people will end up very excited after a shoot. Some will be burnt out. Whatever your reaction, you need to find a way to regain your normalcy quickly. Staying up or down can lead to more stress and that starts to take its toll on the body. You need to be able to unwind or rewind in a few hours as you will need to get your rest. You have a shoot tomorrow.....!



Dear my Geust! There Six steps of Having a Pefrect Kiss!
but today lets start With this two steps and others Next Week!

Step One -
1. Getting Cleared for Takeoff

Key Elements:
Eye Contact, Facial Expression

It's always best to avoid the 'ambush' kiss (although these can be exciting as your relationship progresses).

By looking into your partner's eyes, you will be not only sending the message that you like them and want to be closer to them, but you will be receiving messages as well.

A warm, kind smile (even a slight smile is good, it doesn't have to be BIG) is what you want to see and what you want your partner to see to get the green light.
Just as important as the look on his/her face is where he or she is looking.

While looking down may be a sign of shyness rather than lack of interest, glancing away, or even worse, noticing someone else, indicates that this is definitely not the right time, right place or, perhaps, not even the right person

Step Two -

2. Final Instrument Check

Key Elements:
Closeness, Alignment, Physical Touch

As you move closer to that magical kiss, you don't want to be leaning forward awkwardly to get there.

Not only will moving closer send signals to your partner, but you want your body to be in a comfortable position during the kiss, so you can enjoy every moment of it.

You may want to actually touch the person just before the kiss. While a hand lightly on the face is a definite signal of intimacy, even holding hands combined with eye contact and a warm look can get your 'flight' confirmed.

Just like taxiing onto the runway, you want to make sure you are aligned correctly at this point.

This means not only getting your lips on track with theirs, but getting the head tilted correctly as well.

If you tilt your head slightly to one side first, your partner will likely react and tilt the other way. Watch for their tilt as well- if they've beaten you to the tilt, simply lean your head the other way and begin to move in.